TDR
Vol. 61, No. 2 (T234), Summer 2017Edisi kali ini memuat beberapa artikel, diantaranya: Paso Libre: border enactment, infrastucture, and crisis resolution at the port of laredo 1954-1957 (hal. 11). Fragments of the European Refugee Crisis: performing displacement and the re-shaping of greek identity...
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Format: | Terbitan Berkala |
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Language: | English |
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The MIT Press
2014
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Online Access: | http://opac.isi.ac.id//index.php?p=show_detail&id=17616 |
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isilib-176162015-01-20T14:28:35Z TDR jurnal ilmiah, teater, seni pertunjukan The MIT Press 2014 en Terbitan Berkala http://opac.isi.ac.id//index.php?p=show_detail&id=17616 1054-2043 Vol. 61, No. 2 (T234), Summer 2017Edisi kali ini memuat beberapa artikel, diantaranya: Paso Libre: border enactment, infrastucture, and crisis resolution at the port of laredo 1954-1957 (hal. 11). Fragments of the European Refugee Crisis: performing displacement and the re-shaping of greek identity (hal. 32). A Traveling Script: labor migration, precarity, and performance (hal. 48). Memoryscapes of Race: black radial parading cultures of New Orleans (hal. 71). No More Bystanders: grandchildren of Hiroshima and the 70th anniversary of the atomic bomb (hal. 87). A Stage Presence: Michael Kirby’s embedded sculptures (hal. 105). Choreographing Freedom: mass performance in the festivals of the French revolution (hal. 117). New York NONE http://opac.isi.ac.id//images/default/image.png |
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Institut Seni Indonesia Yogyakarta |
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Perpustakaan Yogyakarta |
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jurnal ilmiah, teater, seni pertunjukan NONE |
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jurnal ilmiah, teater, seni pertunjukan NONE TDR |
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Vol. 61, No. 2 (T234), Summer 2017Edisi kali ini memuat beberapa artikel, diantaranya: Paso Libre: border enactment, infrastucture, and crisis resolution at the port of laredo 1954-1957 (hal. 11). Fragments of the European Refugee Crisis: performing displacement and the re-shaping of greek identity (hal. 32). A Traveling Script: labor migration, precarity, and performance (hal. 48). Memoryscapes of Race: black radial parading cultures of New Orleans (hal. 71). No More Bystanders: grandchildren of Hiroshima and the 70th anniversary of the atomic bomb (hal. 87). A Stage Presence: Michael Kirby’s embedded sculptures (hal. 105). Choreographing Freedom: mass performance in the festivals of the French revolution (hal. 117). |
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Terbitan Berkala |
title |
TDR |
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The MIT Press |
publishDate |
2014 |
url |
http://opac.isi.ac.id//index.php?p=show_detail&id=17616 |
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1741197504069763072 |